Ebook Free Hal Leonard Jazz Piano Method, by Mark Davis
Ebook Free Hal Leonard Jazz Piano Method, by Mark Davis
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Hal Leonard Jazz Piano Method, by Mark Davis
Ebook Free Hal Leonard Jazz Piano Method, by Mark Davis
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About the Author
Mark Davis is an accomplished pianist and an influential educator who has been a mainstay on the Midwest jazz scene for over 25 years. Me has performed with jazz luminaries Eric Alexander, Peter Bernstein, Slide Hampton, Jimmy Heath,, Brian Lynch, Charles McPherson, Frank Morgan and Phil Woods, among others. Mark began classical piano studies at age eight and soon took to improvising and composing. His teachers at the Wisconsin Conservatory of Music included Adelaide Banaszynski and David Hazeltine. He later studied with jazz legend Barry Harris, who remains one of Mark's primary inspirations as a player and educator. Since 1992, Mark has taught at the Wisconsin Conservatory of Music, where he serves as Chair of the Jazz Institute. He is also on the music faculty of Alverno College and Wisconsin Lutheran College. Many of Mark's former students have gone on to successful careers in music, most notably Dan Nimme pianist with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Mark's previous work for Hal Leonard Corporation includes transcriptions for Miles Davis: Kind of Blue for their Transcribed Score series and numerous recordings for their Real Book Play-Along series.
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Product details
Paperback: 98 pages
Publisher: Hal Leonard; Pap/Dwn edition (September 1, 2015)
Language: English
ISBN-10: 1480398004
ISBN-13: 978-1480398009
Product Dimensions:
9 x 0.3 x 12 inches
Shipping Weight: 11.4 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
33 customer reviews
Amazon Best Sellers Rank:
#20,954 in Books (See Top 100 in Books)
This is well-organized and easy-to-grasp guide for learning jazz piano.I've been through a number of other jazz piano method books (by Levine, Ligon, etc.) which tend packed full of information. They're a great resource, but tend to be a challenge to digest and can easily demoralize someone just starting out.On the other hand, this book conveys the essentials for jazz piano performance in a very accessible way that can inspire someone at any musical level to learn. There is something for everyone, all in a nice concise format that's easy to understand.For a beginning player, it's a great method for getting grounded in the fundamentals of jazz chords, voicings, and phrasings. Each chapter focuses on musical concept with specific examples. The audio clips are also very nice for reinforcing learning and internalizing the examples. And it's wonderful that the book is written to meet the musician at the level that’s both comfortable and engaging.For intermediate and advanced players, there's always more to learn and master. The chapters on comping and scale-work provide some nice gems on working with another soloist as well as "playing the changes" in a group setting. The detailed examples combined with the audio clips make for a great way of learning new idioms and ideas for improving your playing.This a great book and I highly recommend to anyone who wants to learn how to play jazz piano.
This is a book to work through, not to skim through or to dip into at random. Practice is the only way to proficiency. If there are any shortcuts, they come in the form of knowing what to practice and how to practice, what to listen to and what to listen for, how to think about and approach the art of jazz improvisation on the piano. The Hal Leonard Jazz Piano Method by Mark Davis provides this invaluable guidance.If you're interested in studying jazz piano, this is the book to start with and to stick with. It's the book to start with because the author does not assume that you possess anything more than a fundamental knowledge of musical notation and a basic familiarity with the piano keyboard. It's the book to stick with because, if you diligently practice what Mark Davis thoughtfully and progressively preaches, you will almost certainly complete the course with some rather remarkable improvisational skills and a firm conceptual foundation on which to build those skills.I hope there are more books to come from Mark Davis, that he and Hal Leonard treat this as Volume 1 in a series.
This is a fine presentation of the essentials of jazz piano, one that can be useful for the beginner as well as the experienced pianist. In fact, I've discovered that it's a great book for the non-pianist, for folks like me. I'm a jazz clarinetist, and I've been playing various kinds of jazz for over fifty years. I have long wanted to develop some keyboard skills to improve my notions of harmony, and, over the years, I've taught myself enough to muddle my way through a lead sheet on the keyboard so that I can hear changes. Mark Davis' book, which I've been working through now for about a year, has been the most thorough, most systematic, and clearest guide for developing my grasp that I've found, and I've tried several. Not only has it helped me with my understanding of jazz harmony, but I'm actually becoming more comfortable (and even somewhat fluent) with improvising on the keyboard, and that has had a marvelous positive transfer to my clarinet playing. The construction of the book is logical and thoughtful. The online audio matches the text perfectly and is very helpful. Explanations of harmonic theory are clear and understandable. A great book!
Very good book covering jazz piano. A lot of people always reference the jazz piano book by Mark Levine but what if that is a little bit above your level of understanding or you don't quite get it. This book I might say is a very good primer I am only in chapter 3 as I am taking my time to digest the information but it is laid out in a very logical manner and progression but there is enough here to keep you pretty busy for a while. There also in chapter 1 is a list of beginner jazz tunes that the author suggests for study I read music but am making an assumption that you should be able to read music in bass and treble clef, chord symbols, or play by ear to get the most out of this book but so far I like it.
I am using this method book with college jazz piano students. Davis lists jazz standards in the first chapter, which tends to be a huge deficiency in beginning jazz students. Then by Chapter 5, he introduces a comprehensive, detailed scalar and arpeggiated improv method that makes the jazz language erupt from the page! This is still a work in progress, depending on the students' will to drill, but I'm impressed with the bebop scale technique. Some of my students have studied Jerry Coker or Mark Levine, and both those methods start with detailed chord theory. Davis addresses this in Chapter 8, so we'll see if the students connect then.Jazz, like most subjects, can be addressed from several angles, and Davis shows a fresh approach. If nothing else, this book should be added to your growing library of jazz pedagogy for quick improv solutions.
This is a fantastic book written by an incredible jazz educator. The book addresses the most important subjects for players of all levels, including theory, harmony, repertoire, and improvisation/vocabulary. The explanations are clear and easy to understand, made all the better by the audio tracks that are included. A player that wants to grow will find this to be an excellent investment of both his/her time and money. Clearly the author was very thoughtful in this books creation and execution. Easily one of the best books on jazz piano that I have ever seen, and trust me I have bought my share!
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